Posts Tagged ‘ATV’

Forgotten Heroes: Mark Perry and ATV

Wednesday, January 13th, 2010
Mark Perry with John Peel

Mark Perry with John Peel

Few people can claim to have been the spearhead and true instigator of a scene. The birth of Punk is usually attriibuted to Malcom McLaren and the Sex Pistols, but there is a person who was the true underground voice of punk; Mark Perry of ATV.

The young Mark Perry was working as a bank clerk in 1976 when a Ramones gig inspired him to start a fanzine called Sniffin Glue.( One of the collaborators on the fanzine was Danny Baker, now known as a TV presenter and about as divorced from his punk roots as you could get.) Sniffin Glue became the UK punk scene’s bible and Mark Perry quit his job and did numerous TV and radio appearances acting as an articulate spokesperson for the emerging new phenomenon.

Early in 1977, Mark Perry hooked up with a young Miles Copeland to form Step Forward Records, releasing tracks by Fall, Sham 69, Chelsea and the Cortinas amongst others. Mark was also involved with Miles’ other labels, Deptford Fun City Records and Illegal Records.

The first incarnation of ATV was born shortly after, with Mark Perry on vocals and guitar. They released their first single, ‘Love Lies Limp’, as a free flexi disc given away with the last issue of Sniffin’ Glue (no.12), August 1977.

Mark with Mick Jones

Mark with Mick Jones

From then on, the various line-ups of ATV read like a Who’s Who of musicians who would become influential or famous during the next decade; collaborators included Joolz Holland, Genesis P Orridge, and Jammo and Dobbo (World Domination Enterprises).

Following a brief unsuccessful flirtation with EMI, ATV released their first proper single, ‘How Much Longer’/'You Bastard’, on Deptford Fun City Records. Their first album was released in May 1978.

Ever at the forefront of innovation, Mark quickly became disillusioned with the limitations of the punk scene. He can be heard on a live recording berating the audience for their thug-like behaviour and disinterest in the ideological messages that he and other intelligent punk front-men were trying to convey. This led him to mutate ATV into the Good Missionaries, a more experimental project influenced by the nascent industrial scene.

From then on, Mark sporadically made departures from, and returns to the music industry, always somehow managing to be involved with the major faces of the future, like a young Alan McGee. In 1996, Mark got back into writing by providing the text for Erica Echenberg’s photo book, ‘And God Created Punk’, which was published by Virgin. In 2000, Sanctuary Books published ‘Sniffin’ Glue: The Essential Punk Accessory’, which compiles all the issues of Mark’s fanzine along with lots of new writing and photos.

ATV has gigged as recently as 2003, but it remains to be seen whether Mark will return to the live scene again in the future. ATV cds have recently been available through http://www.markperry.freeuk.com/index.htm but check first to see if they are still available.

ATV members included:

Alex Fergusson – guitar, vocals. Went on to play in Cash Pussies and Psychic TV,

Micky Smith – bass

John Towe – drums. Was in Generation X. Went on to play in Rage and the Adverts.
Tyrone Thomas – bass, guitar. Also in Convent Nuns and other bands.
Chris Bennett – drums. Went on to play in Secret Affair.
Dennis Burns – bass. Also in the Reflections.
Kim Turner – guitar. Played drums for the Andy Fraser Band.
Mick Linehan – guitar. Went on to play in the Lines.
Dave George – guitar, other instruments. Kept the Good Missionaries name going for a few years in Hastings.
Anno Graver – vocals. Sang with Gong and Here & Now.
Henry Badowski – drums, sax. Also played bass in Chelsea, the Damned and King. And solo as ‘Henry’.
Gillian Hanna – vocals.
Alan Gruner – keyboards.

Ray Weston – drums.

Karl Blake – guitar, drums. Also in Lemon Kittens, Shocked Headed Peters and the Reflections.
Nag – bass. Also in the Door & The Window and the Reflections.
Protag – guitar. Went on to play with Blythe Power.
Steve Cannell – bass. Went on to play in Danielle Dax’s band and others.
Allison Phillips – drums. Also played in Ut and Taboo.
Clive Giblin – guitar. Also in Shocked Headed Peters and other bands.
Fish – drums.
James Kyllo – guitar, vocals. Also played in the Dropkick Me Jesus.
Dave Morgan – drums. Also in the Weather Prophets and the Rockingbirds.
Bob ???? – drums. Also played with the Cardiacs.
Luci Bocchino – guitar. Also played in the Long Decline and the Flips.
Rob Ugly – bass. Also played in the Long Decline and the Dole Claimers.
John Isaac – drums. Also played with Christian Death.
Dick Ugly – keyboards. Played in the Dole Claimers.
Lee McFadden – bass. Played in the Long Decline and loads of others.
Tony Barber – bass, guitar. Played in Boy Wonders, Buzzcocks and others.
Kevin Mann – drums.
Grahame Hullett – bass. Played in Yacca and others.
Steve Carter – bass – Played in Sad Lovers & Giants.

A Brief History Of Punk

Friday, December 4th, 2009
the famous Pop Group t shirt, recently sported by Agyness Deyn

the famous Pop Group t shirt, recently sported by Agyness Deyn

The word ‘punk’ embraces many genres of music, united primarily by their DIY ethic and rejection of the mainstream, major record label way of doing things.

The godfathers of punk as we know it today came from the USA in the 1960’s and 70’s; bands like Iggy and the Stooges, the MC5, Patti Smith, Richard Hell and the Voidoids, the Velvet Underground, Television, the Ramones and the New York Dolls all pioneered the raw, agressive sound and rebellious stance that came to be known as punk.

The British punk scene was born in London in 1976; teenagers began rejecting the old rock ‘dinosaurs’ that had been dominating the band scene with their virtuoso musicianship, and forming their own bands where the only qualification to join was the right attitude. The fanzine ‘Sniffing Glue’ produced by Danny Baker with Mark Perry of early punk band ATV proved highly influential and spawned many imitations. Punk music itself had no rules although usually it was loud, aggressive and amphetamine-fuelled.

The Sex Pistols were born in Chelsea where a young John Lydon, Paul Cook and Glen Matlock used to hang out at Vivienne Westwood’s boutique, and met Malcom McLaren who had previously managed the New York Dolls. Under his direction, the band was formed and the rest is history. Other faces on this new scene included Siouxie Sioux (later of the Banshees), Adam Ant , and Billy Idol to name but a few. Also worth a mention are X-Ray Spex, The Slits, Crass and Bristol punk band The Pop Group whose famous t shirt bore a picture of Margaret Thatcher with the words ‘We are all prostitutes’ emblazened across it. The Pop Group’s Mark Stuart went on to collaborate with producer Adrian Sherwood as Mark Stuart’s Mafia and is credited with inventing the ‘Bristol Sound’, still alive today in the music of Massive Attack.

Many independent record labels sprung up at this time to release the new music, creating a whole new infrastructure to record, release and distribute records without involving major corporations. Artists have frequently found themselves much more fairly treated by these indie labels. However, some punk bands maintained a non-conformist stance whilst signing big deals with major labels.. eg the Sex Pistols and the Clash. Quite a few bands gained recognition through the punk scene by adopting the style and attitiude of punk, including the Police, the Jam and the Stranglers, even though their excellent musicianship had more in common with the old school musos that punk supposedly rejected.

The ‘anything goes’ attitude of punk also paved the way for a rich and diverse post-punk DIY music scene. In the late 1970’s, the Industrial Records label was set up by experimental band Throbbing Gristle which in turn spawned a whole scene of its own that still exists today in the music of bands like Sonic Youth. More side effects of punk could be seen when Rough Trade records signed Joy Division, the Fall and the Smiths and Fiction records released proto-goths the Cure.

The Grunge music scene evolved in America in the late 1980’s in much the same way as punk; young bands unconcerned with commercial sucess playing music to entertain themselves and each other and releasing their material on small independent labels. Influenced by late 70’s/early 80’s punk acts like the Ruts, the Butthole Surfers, NOFX, Swans and the Dead Kennedys as well as British post-punk, the Pixies were one of the first grunge bands and inspired many bands that followed; from Nirvana to Dinosaur Junior to L7. More recently, Green Day have achieved massive success with their own brand of pop punk, inspiring hoards of youngsters to pick up a guitar and learn those first 3 chords.